This website launched early in the pandemic when the future of many arts organizations was threatened. The site invited The Sheldon's audiences — previously thought to be digital-averse — to embrace the brand in new ways.- Paradowski Creative Team
Q: Tell us about your initial moodboard, wireframe, or prototype. How did things change throughout the process?
A: Throughout the project, we were inspired by the variety of events held at The Sheldon — from art to live music to educational concerts. The initial design concepts were quite serious and heavy, using dark tones and clean geometry to evoke reverence; but, once we had a clear vision from the branding, the site ended up playing out much more boldly than we originally thought. It is lighter and more airy, with more organic geometry and lively tones.Q: What influenced your chosen technical approach, and how did it go beyond past methods?
A: Our technical approach utilized a more granular partial system than we have created in the past, which allowed us to reuse sub-components across top-level components for a highly customizable experience. As arts organizations are traditionally underfunded, this ease of use helped our client manage content within their staff and budget. We also integrated 3D features in the homepage to hit home the borderless nature of the brand.Q: What web technologies, tools, and resources did you use to develop this?
A: We utilized Blender, Cinema 4D, Adobe XD, WordPress, Gutenberg, and HTML5 among other tools and software.When did you experience a breakthrough or an "a-ha" moment during this project?
We had just finalized the branding when we were concepting the home page. Someone joked about a site that "literally didn’t have borders,” and thus the horizontal-vertical scroll feature was born. We white boarded to map every state. By the end we had an embodiment of Arts Without Borders. It ended up being the easter egg that inspired the remainder of the site. We started to bring Arts Without Borders to life in distinctive ways across the site.