"The support from global climate leaders, community and government groups has been a great testament to how Uncertain Four Seasons provides education, starts conversations and is an ongoing way for people to talk about the impact of climate change."AKQA
Q: Tell us about your initial moodboard, wireframe, or prototype. How did things change throughout the process?
A: This was a hugely complex transposition between art and science, and a truly global example of collective action. Transposing the stories in Vivaldi’s Four Seasons with the stories in the latest IPCC report on the climate, and rallying thousands of artists at the same time, we had to hold everything in the air at once and hope that it all connected.Q: What influenced your chosen technical approach, and how did it go beyond past methods?
A: We just wanted to get it done at the scale we wanted it to be. We’d never made anything like it so all the software was new and approached in multiple ways. We also needed to have the facts right, so there was a lot of getting to know the science and extracting the stories to tie it back to the original narrative in the Four Seasons.When did you experience a breakthrough or an "a-ha" moment during this project?
The reality of our ecological threats has been approached through a rational, scientific lens. A barrage of graphs, data and lifeless statistics have been used as frontline soldiers in the climate wars. But our species has evolved to tell stories — to be stirred into action by music, by art and by the liminal. Our scientists desperately need the help of artists because art disseminates the complexity and translates it into a language of the soul.